You may not have heard it, or it may not have clicked yet, but the “Wavin’ Flag (The Celebration Mix)” by K’nann is a huge plug for Coke and because it is charting, everyday the BBC is giving free air time to Coke’s jingle. Coke are one of the official World Cup sponsors, so their branding is already everywhere and this song is just part of their massive product promotion. In doing so, Coke gets the product placement award for the day and the BBC gets the sucker award.
The song was originally put out by the artist on his album Troubadour, before being added to a charity album for the Haiti Earthquake, but because of the overtones of national pride, it fitted pretty perfectly as an anthem for the World Cup this year. The original mix didn’t have the jingle at the beginning and the lyrics were apparently somewhat darker. However, with some slight amends and constant airplay on TV through Coke commercials, it has become the theme to this years World Cup and a singles hit (as I write this it is currently number 3 in the UK singles chart)
What confuses me is, why is the BBC playing the Coke version? Surely there can be edits that leave out the Coca-Cola jingle? I personally don’t have a problem with Coke using a clever marketing ploy, I’m more concerned that the BBC has either been duped, lazy or has an ironically disturbing lack of popular culture knowledge.
The vast majority of these ads are from the USA and generally from Republicans. Like them or loathe them, they do campaigning very well, especially during the Karl Rove era.
First up however is one of Obama’s ads. He never created “great” ads, but a good deal of his involved just him, speaking directly into camera to the audience. This has the benefit of giving a personal message and engaging directly with the viewer. In this ad, he also personalises the story of his mother’s death and the extra pain of her death due to the insurance system in the US. He then brings that story back to the personal lives of everyday Americans which is vital for a successful visual engagement strategy.
If only he was still showing this ad in the last 6 months.
This Carly Fiorina ad is bizarre. Nick named the Demon Sheep ad, it has become the object of ridicule but also fascination. It is weird and out there and I guess that is its charm. I don’t think it will work, it’s too long, appeals to a fairly small part of the population (the Tea Party) and most importantly, it doesn’t actually target the candidate that is leading the race. This is an attack ad for a spot of the Republican California Senator ticket. Fiorina attacks Tom Campbell, who is a leading member of Governor Arnie’s Cabinet. They are both losing ground to Republican Chuck De Vore, a State Assemblyman who is know for his ultra conservative stance. No wonder she was rated as one of the US’s top 20 worst ever CEOs.
George Bush Senior’s attack ad on Michael Dukakis is one of the most infamous ever. Drew Westen describes it as “one of the low points in American electoral history.” Willie Horton was a felon of the worst order and whatever happened for him to be released was clearly a mistake. The ad however has become part of history. Using emotive, almost subliminal written messaging such as Rape, Kidnap, Stab, stuck in the heads of the public. Fear is everywhere in this ad, the frightening statements, the scary mugshot, the fact that you could be the person stabbed, kidnapped and raped under a Dukakis Government. It is enough to frighten anyone. In fact, this ad wasn’t even an “official” Bush Campaign ad. It was made by the Americans for Bush arm of the National Security Political Action Committee (NSPAC).
Hilary Clinton’s 3am ad made a big difference during the 2008 primaries and was one of the reasons why she stayed in the race so long. Questioning Obama’s ability and experience, she came up with a pretty powerful and effective ad. It preyed on the fears of parents and grandparents alike. It gave her a good boost in the polls, but let’s face it, the rest is history
Gough Whitlam was the Australian Labor Prime Minster from 72-75 after 23 years of Liberal-Country Government, mostly under Sir Robert Menzies. This ad may seem a tad naff now, but at the time, the ad and the slogan “It’s Time” was hugely influential. Delightfully simple, the slogan simply pointed at the last quarter of a century under a Conservative Government, similar to the Change slogan used by the Obama campaign. No one over in the UK would realise, but the singers are all Australian celebrities and politicians. Australian’s might notice a young Jack Thompson, Jackie Weaver, Graham KennedyandBert Newton singing away. Whitlam however only lasted 3 years before he was controversially sacked by the Governor General Sir William Kerr. Whitlam, on the stairs of Parliament House then made the statement “God Save the Queen, because nothing will save the Governor General.” Thus started the first big push for an Australian Republic.
Ronald Reagan put this ad out for his re-election campaign in 1984 and it is brilliantly simple. Patriotic, conservative and a vision back to the halcyon days of America. He doesn’t even appear or speak in it, but at the same time he seems both Presidential and grandfatherly.
Just like his father, Bush Junior wasn’t officially behind this ad, but it was paid for by the Swift Boat Veterans for Truth. There were plenty of memorable negative ads that hit Kerry hard, but this was particularly effective. Kerry made a big deal out of his Vietnam veteran status saying in a time of war, it was important to have a Commander and Chief who had proper militaryexperience. Kerry won two Purple Hearts and one Silver Star for his heroism, but there were controversial circumstances surrounding this award and this came to the fore in the 2004 Presidential campaign. Kerry also immediately came back to the US post the war and began protesting against it. His initial campaign strategy was to portray him as a war hero, but not long after, these swift boat vets came out and hit Kerry hard. Again, the rest is history
In response to the Robin Hood Tax ad, which is one of the best campaigning ads I have seen for a while, I thought I would post some historically very effective political and advocacy ads. I’m also currently reading The Political Brain, by Drew Westen that looks at the role of emotions in political campaigning. It has been an eye-opening read, so this also gave me some inspiration for this post.
This list is by no means definitive and if anyone wants to send links to some campaigning ads, that would be great, I’d love to watch them.
This post will focus on a few advocacy ads, starting with the Robin Hood Tax ad that has been the focus of the media of late. It is a very simple ad, two voices, one face but plenty of emotion. Bill Nighy plays a leading banker who ends up squirming in response to the questioning about why a Tobin Tax shouldn’t be created. Squirming bankers is something that reverberates with a good portion of the public at the moment. This campaign plays to the slightly divergent emotions of good will and revenge brilliantly.
This next ad scares the heck out of me, although I’m not sure how effective it is. Shock ads, as I have written before, have the tendency to decline in effectiveness over time simply because of people being desensitized. I’m not sure anyone would be able to put themselves in this guys shoes, unless they have been in the same situation.
This shock ad from PlaneStupid, the organisation that focuses on climate change issues caused by the global aviation industry, is different from the previous one however. Shocking - yes. Disturbing - definitely. Effective - most certainly. Polar bears dropping from the sky crushing cars and smashing into buildings may seem like an odd choice, but it is actually very clever. The stance is that every person on a trans-Atlantic flight creates 400kg of carbon. Most people can’t conceptualize what that means however. A polar bear, which is also an icon of climate change devastation, is imaginable. Therefore this appeals to our sense of wanting to save these animals, horror at their gruesome deaths but it also puts our carbon footprint into a physical and understandable context. It was filmed in Canada, but it could be any city, again personalising the imagery.
The final ad is one that has screened on UK screens recently and was the subject of a number of complaints, but is far more subtle that the polar bear ad. Act on CO2 is a non-departmental government body that is the public face of the Government’s climate change policy. This ad simply shows a father telling a bed-time story to his child, but it is a story of the effects of climate change and includes drowning pets and other disturbing results of unabated climate change. But this ad is clever in the fact that it appeals on a personal level to adults and children. This ad scares children, hence the complaints, but it also contextualizes climate change for them ensuring they understand the potential of doing nothing. It also will frighten adults on a parental level - how can I let my child live in a world like this, what can I do to prevent it?
As I said, this isn’t a complete list, but it just a tester. I’d love your thoughts and if you want to send me other campaigns, feel free. I’ll post the political ad blog in the next couple of days.
I was interested to read an article that appeared yesterday in the New York Times discussing Gap’s new marketing push. According the NYT, in recent years Gap has been struggling to attract shoppers, even before the recession, with unappealing merchandise being cited as the major issue.
Gap’s solution to this decline in interest has been a major refocus onto the company’s core product – jeans. They have developed a multi-layered ‘Born to fit’ campaign, which includes a Facebook page, video clips, an online fashion show and an iPhone application all aimed at drawing attention to the newly named Premium Jeans line. Also in the works are ads that will appear in movie theatres, magazines and outdoors. TV ads, on the other hand, are only a possibility.
I find this decision a little surprising. When sales fell TV ads were one of the first things to go. Personally speaking however I absolutely loved the Gap adverts from the 90’s such as the mellow yellow advert. Great tune, good looking/famous people in gap clothes = ads that get noticed and remembered. Is this formula too simple now? Do we really have to always be going bigger, better and more complex in a bid to grab people’s attention? If the current surge in nostalgic adverts are anything to go by then the answer would be no…
